TELECOM Digest OnLine - Sorted: Amateur Video Sharing Grows Online

Amateur Video Sharing Grows Online

Anick Jesdanun (
Sun, 22 Jan 2006 15:41:41 -0600

By ANICK JESDANUN, AP Internet Writer

Over the past year, Janelle Gunther occasionally captured video with
her Canon PowerShot digital camera: An elephant parading through city
streets to the Ringling Bros. circus, her friends on stage during an
improv dance show.

But the clips simply sat on her computer unwatched -- until last
weekend, when she began adding them to Vimeo, one of several sites to
emerge for sharing amateur footage.

There's no shortage of sites willing to accept such video, and once
issues of revenues, copyright and ease of use get sorted out, the
sharing of personal video promises to become as commonplace as
photo-sharing is today.

"For the past six months or so, a lot of these sites have been popping
up," said Jakob Lodwick, Vimeo's founder. "It went from being none to
there being new ones every couple of weeks."

Credit the digital video revolution.

Most digital cameras sold since 2004 can shoot video, and so can newer
models of cellular phones, said Jill Aldort, an InfoTrends consultant
who specializes in Internet imaging trends. CVS Corp. even sells
disposable video cameras.

"People have video all over the place, coming out of their ears," said
Cynthia Francis, chief executive of Reality Digital Inc., which runs
the ClipShack sharing site. "People are looking for a way to share

Now they needn't necessarily burn DVDs or carry around cameras to show
friends their latest video oeuvre. Thanks to faster Internet
connections and better online video technology, even search engine
leader Google Inc. is getting into the game.

Now that it's easier to reach her audience, Gunther expects to shoot
even more video, just as she shot 10 times as many photos once she
started sharing them on Yahoo Inc's Flickr.

"I finally had a place to put them," the 30-year-old architect said of
her photos., a leading site, had more than 3 million visitors in
December, nearly tripling its visitation in November, according to
Nielsen/NetRatings. YouTube Inc. says its users have been sharing
20,000 new videos a day and watching some 10 million daily.

One clip on YouTube is of a 12-year-old scoring a touchdown, another
is of a woman burping in front of a mirror. One young man captured
himself skateboarding on a treadmill.

Others are more carefully produced and edited, even set to music.

Steve Silvestri, a local television news cameraman in Bates City, Mo.,
began sharing his library of personal videos on Christmas Eve, many
featuring his travels on Amtrak. One clip got more than 10,000 views
within two weeks -- gaining a wider audience than he did from burning
50 DVDs for family and friends.

"It's the greatest thing since the Internet," Silvestri
said. "Everybody wants to have an audience for their stuff."

Budding filmmakers and musicians can promote themselves, too, but
people generally capture everyday moments without ever thinking they'd
become Internet sensations, said Chad Hurley, YouTube's co-founder.

Despite the growth, video-sharing remains largely a province of the

Many people don't know their digital cameras can shoot video or can't
be bothered transferring or trimming it.

Though video-sharing is available to higher-end paying subscribers of
Smugmug Inc.'s photo service, it's not the main driver, said Chris
MacAskill, the company's co-founder.

Photos, on the other hand, can be shared as is and many photo-sharing
sites even let users crop, remove "red eye" and perform other minor

The early video sites differ in another key aspect.

With the exception of Flickr, the popular photo-sharing sites tend to
promote sharing within a circle of friends and family, generally by
sending links. Most of the video sites, however, encourage sharing
with the world. They make the task easy by grouping video by most
watched or highest rated, and they let users tag clips with keywords
so others can search for all clips on bowling, for instance.

And while photo-sharing sites typically sell prints and photo-imprinted
mugs, there's no commerce counterpart for video, which can consume 10
times as much storage and bandwidth -- even after compressing files and
reducing resolution.

So video sites are exploring a range of revenue models, including
advertisements, which rely on huge audiences. After all, video ads
already precede segments at news Web sites like CBS.

"But the question is, `Are those same strategies going to work when
users are viewing user-generated content?'" ClipShack's Francis said.

A few services, particularly newer ones aimed at moms reluctant to
share family footage with strangers, are relying entirely on

Hewlett-Packard Co.'s Snapfish, for instance, charges $25 a year for
the video-sharing service it unveiled this month, even though its
photo service is entirely free. Both emphasize closed communities --
one must already have the link to watch.

And then there's Revver Inc., which relies on ads but shares revenues
with users who submit video.

"It is a new frontier," said Steven Starr, Revver's chief executive.
"The migration of video onto the network is upon us, and the rules of
that migration are being worked out as we speak."

Intellectual property owners also must grapple with these services,
some of which are littered with skits from "Saturday Night Live" and
music video segments.

As studios and networks expand online sales of already-aired shows
through services like Apple Computer Inc.'s iTunes, look for them to
more aggressively pursue violations.

"This is an evolving landscape," said Rick Cotton, general counsel for
NBC Universal. "As we get into partnerships ... to make material
legitimately available, we are increasing and escalating our efforts
to police against the unauthorized and extensive infringing of

The video-sharing sites promise to remove copyright materials -- as
well as pornography -- when requested, but they also say that some such
clips are actually authorized or tolerated for their promotional

Another gray area involves music playing in the background.

"If you are lip-synching a Prince song, do you owe Prince royalties to
that?" asked Trevor Wright, chief executive of the Sharkle Inc. video
site. "The industry needs to and will begin to figure these things

Entertainment lawyer Mark Litvack said copyright owners may not go
after every use in amateur movies, but video that becomes an overnight
sensation likely will attract attention. Fair use, he said, does not
always protect even home movies.

But there's no doubt content providers see value in sharing. Just this
month, CBS Corp. began offering some shows through Google, which lets
amateurs and professionals alike charge viewers for video, with Google
getting a cut.

There's also great interest among advertisers.

A news site can produce only so much video on its own, Wright said,
but user-generated content is limitless, driven by personal ego:
"People want to share things they've done, places they've been,
creations they've made and so forth."

On the Net:
Gunther's video:
Silvestri's video:

Copyright 2006 The Associated Press.

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[TELECOM Digest Editor's Note: I see no mention of it in this article
from AP, but Google is also in the process of collecting videos for
their online search engine. PAT]

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